Nothing comes close to the emotional assurance and comfort of living in a building that is made of a single material like sustainable wood. It is warm, silent, primordial; it offers perhaps the ultimate in luxury.
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Nature reframes our relationship to our work, ourselves and our planet. It helps focus on whats important. There is rarely a design problem that cant be resolved playing in the ocean or walking along a high ridge in the mountains.
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Travelling takes us beyond our comfort zones – across distant horizons, unexplored lands and untouched waters. Yet it awakens us to live sustainably – to help protect the planet we all call home.
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The white concrete walls of Edge House appear as a collage of silk and coarse textures that reference the abstract and site specific themes of our latest home. Here we explore why concrete is so beautiful - so cool.
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Finding peace and tranquility within the setting of an inner city context led us to explore the idea of an island world as concept and metaphor for a new home that is both extroverted and introverted, open and closed.
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I have learnt that to draw is to move, to move both consciously and subconsciously forward and plough the mind in time. Searching for the answer to the question that was asked.
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Thoughts on our most primordial asset - the power to move fast. Running takes us back to the concept of form, back to our physical core - back to where architecture began.
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Ornament, luxury, decadence and materiality in Oxford. A refurbishment that responds to the rich heritage of an existing townhouse in the Gothic revival style. Discerning Interventions of the sublime and committed.
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Highly functional objects develop a natural subconscious aesthetic over time of great beauty through constant refinement. Research for a new project in the South of England takes us on a curved journey.
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